The acting app for every step of an audition.

A scene partner to rehearse with, a teleprompter and a reader to tape with, honest feedback on the take, and a coach to ask about it. All in one place, all built for self-tapes.

Rehearse with an AI scene partner.

Bring your sides and run the scene out loud. The reader plays every other character, listens for the end of your line, and comes in on cue. Try it here: say Andrew’s lines.

How the scene partner works

Ready

Whiplash, the practice room

FLETCHER

Were you rushing or were you dragging?

ANDREW

I don't know.

FLETCHER

Start counting.

ANDREW

One, two, three, four.

FLETCHER

Not quite my tempo. Again.

Record with a teleprompter and a reader in the take.

Your lines follow you on screen while the scene partner reads the other side, and every take is saved to the audition.

How recording works

Take 2

Lady Bird, the car

Recording 0:18

Line 2 of 3

What if this is the best version?

LADY BIRD

Live teleprompter

Hearing you. The next line comes when this one lands.

MARION

I want you to be the very best version of yourself that you can be.

LADY BIRD

What if this is the best version?

MARION

Come on. We're going to be late.

Get your self-tape rated before you send it.

A score out of 100, a verdict, notes pinned to the moments that made it, and the one thing to change on the next take.

How the feedback works

0:21 / 1:11

Tape strength

74/ 100

Callback-ready

50 Developing70 Callback-ready85 BookableLast take 61

Your face goes still for nine seconds at 0:21 while Fletcher talks, and that is where the take stalls. The flinch at 0:59 is the moment we actually see you take the hit.

Since your last take

The count stopped being recited and started being a decision.

Betterbreath and filler, feeling it, not showing it

Your next take

Stay alive while the reader talks

Run the scene with your own lines silent. Only listen, and let your face respond to what Fletcher actually says, especially through the stretch around 0:21. Then add your lines back in.

How you'll know it worked

Something moves on your face before you speak, every time.

Rehearse this moment Upload a new take Record in Sides

Notes

The few that would move this tape the most.

Fix these first

Reacting before you speak

0:33

You start "I don’t know" before the question has finished.

The answer reads as prepared instead of decided.

Try this

Let the question land, then decide. Half a second is enough.

Breath and filler

Two audible catches of breath before the count.

The breath announces the line before you say it.

Try this

Take the breath on Fletcher’s line, not your own.

What worked

Feeling it, not showing it

0:59

You flinch a beat before "Again" and you do not push it.

That is the one moment we believe you completely.

Every word heard

Every word comes through, even at the quietest volume.

Casting never has to lean in.

The right amount of movement

0:50

You hold still through the count and it reads as choice.

The frame stays on your face where the scene is.

Ask the coach about your take.

Ask what to fix first or how to play a moment differently. The answers come from your take and its notes.

How the coach works

AI Coach

Ask about this take while the context is fresh.

46 messages leftResets Oct 12

What should I fix first?

The stretch at 0:21. Fletcher talks for nine seconds and your face stays still the whole time, so the take stops being a conversation and becomes a wait for your cue.

Run it once with your own lines silent. Only listen, and let something move on your face before you answer. Then put the lines back.

Should I play the count at 0:50 angrier?

No. It already works because it stopped being recited and became a decision. Keep it as it is and spend the next take on the listening.

Ask a question…