All scenes

The Willow Cabin

A two-person romance scene from Twelfth Night by William Shakespeare. About 4 min.

Viola, disguised as the young man Cesario, brings Duke Orsino’s love to Olivia, who falls for the messenger instead.

Viola
late teens to 20s. Disguised as Cesario, in love with the Duke herself
Olivia
20s to 30s. A countess in mourning, refusing all suitors
You read
  1. Olivia, veiled, has sent her servant away.

  2. Olivia

    Now, sir, what is your text?

  3. Viola

    Most sweet lady—

  4. Olivia

    A comfortable doctrine, and much may be said of it. Where lies your text?

  5. Viola

    In Orsino’s bosom.

  6. Olivia

    In his bosom? In what chapter of his bosom?

  7. Viola

    To answer by the method, in the first of his heart.

  8. Olivia

    O, I have read it; it is heresy. Have you no more to say?

  9. Viola

    Good madam, let me see your face.

  10. Olivia

    Have you any commission from your lord to negotiate with my face? You are now out of your text: but we will draw the curtain and show you the picture.

  11. Unveiling.

  12. Olivia

    Look you, sir, such a one I was this present. Is’t not well done?

  13. Viola

    Excellently done, if God did all.

  14. Olivia

    ’Tis in grain, sir; ’twill endure wind and weather.

  15. Viola

    ’Tis beauty truly blent, whose red and white Nature’s own sweet and cunning hand laid on. Lady, you are the cruel’st she alive If you will lead these graces to the grave, And leave the world no copy.

  16. Olivia

    O, sir, I will not be so hard-hearted; I will give out divers schedules of my beauty. It shall be inventoried and every particle and utensil labelled to my will: as, item, two lips indifferent red; item, two grey eyes with lids to them; item, one neck, one chin, and so forth. Were you sent hither to praise me?

  17. Viola

    I see you what you are, you are too proud; But, if you were the devil, you are fair. My lord and master loves you. O, such love Could be but recompens’d though you were crown’d The nonpareil of beauty!

  18. Olivia

    How does he love me?

  19. Viola

    With adorations, fertile tears, With groans that thunder love, with sighs of fire.

  20. Olivia

    Your lord does know my mind, I cannot love him: Yet I suppose him virtuous, know him noble, Of great estate, of fresh and stainless youth; In voices well divulg’d, free, learn’d, and valiant, And in dimension and the shape of nature, A gracious person. But yet I cannot love him. He might have took his answer long ago.

  21. Viola

    If I did love you in my master’s flame, With such a suff’ring, such a deadly life, In your denial I would find no sense, I would not understand it.

  22. Olivia

    Why, what would you?

  23. Viola

    Make me a willow cabin at your gate, And call upon my soul within the house; Write loyal cantons of contemned love, And sing them loud even in the dead of night; Hallow your name to the reverberate hills, And make the babbling gossip of the air Cry out Olivia! O, you should not rest Between the elements of air and earth, But you should pity me.

  24. Olivia

    You might do much. What is your parentage?

  25. Viola

    Above my fortunes, yet my state is well: I am a gentleman.

  26. Olivia

    Get you to your lord; I cannot love him: let him send no more, Unless, perchance, you come to me again, To tell me how he takes it. Fare you well: I thank you for your pains: spend this for me.

  27. Viola

    I am no fee’d post, lady; keep your purse; My master, not myself, lacks recompense. Love make his heart of flint that you shall love, And let your fervour like my master’s be Plac’d in contempt. Farewell, fair cruelty.

  28. Exit Viola.

  29. Olivia

    What is your parentage? ‘Above my fortunes, yet my state is well: I am a gentleman.’ I’ll be sworn thou art; Thy tongue, thy face, thy limbs, actions, and spirit, Do give thee five-fold blazon. Not too fast: soft, soft! Unless the master were the man. How now? Even so quickly may one catch the plague? Methinks I feel this youth’s perfections With an invisible and subtle stealth To creep in at mine eyes. Well, let it be.

Public domain, William Shakespeare, 1602. Text from Project Gutenberg #1526.